Salmagundi Art Club Library Benefit Dinner, May 9, 2012 6:00 p.m.
On May 9, 2012, I went to the Salmagundi Club Library
Benefit. The event was to support the
library. The Salmagundi library was
founded in 1899. The club itself started
in 1871. It is located on 47 5th
Avenue in Manhattan. http://www.salmagundi.org/gallery.htm
The even started with registration followed by a cash
bar. There was also an exhibit in the
billiard room from the Society of Illustrators and the Art Students
League. Some of the art was quite
interesting. Among the illustrations
there was a portrait drawing by Norman Rockwell, a small painting by N.C.
Wyeth, and two drawings by Charles Dana Gibson, one of which was of Uncle Sam
pulling battleships into a harbor.
One of the reasons I am so interested in the Society of
Illustrators is that some members are cartoonists, comic artists, and fantasy
artists. I recognized this when I was at
the Museum of Comic and Cartoon Art Festival, a yearly event focused on mainly
independent and alternative comics. I
collect “ground level” or early independent comics. Titles like Star Reach, Alien
Worlds, Parsifal, The First Kingdom, reprints of Flash
Gordon, and artists like Bernie
Wrightson, Wendy Pini, Jeff Jones, and Vaughn Bode.
I also have been fascinated with the idea of the origins of
fantasy art and the first modern fantasy novels. The Story of the Glittering Plain and The
Well at Worlds End which are the considered the first modern fantasy novels
are by William Morris one of the founders of the Arts and Crafts Movement. I also like The Arabian Nights
illustrations of Edmund Dulac, the fairytale illustrations of Arthur Rackham
who also illustrated the Ring of the Nibelung, as well as Kay Nielsen. As an aside, P. Craig Russell who has
illustrated for Neil Gaiman, illustrated a complete line of graphic novels
based on operas.
Howard Pyle who was N.C. Wyeth's teacher illustrated and
wrote stories based on Arthurian romance.
I remember reading Howard Pyle as a teenager and enjoying the
stories. Howard Pyle in a sense reminds
me of the modern fantasy artist Charles Vess.
There is a certain magic and legendary quality to his paintings and
drawings.
At the dinner I had a chance to indulge one of my passions
which is science fiction and fantasy art.
When I can afford it or find a bargain I collect Fantasy and Science
Fiction art books. One of the dinner
guests was from the Society of Illustrators.
I had a chance to talk about people like Richard Powers, Vincent Di
Fate, and Virgil Finlay. The gentleman
mentioned the book, Infinite Worlds The
Fantastic Vision of Science Fiction Art by Vincent Di Fate which I have
looked through many times.
The dinner itself was excellent, Salmagundi stew, wine,
coffee, cake, and a salad. It was quite
filling. Barbara Genco who is a
consultant for Library Journal and retired from being the Head of Collection
Development for Brooklyn Public Library arranged the dinner.
The lecture following was upstairs in the art gallery. Douglas Allen Jr. was showing slides from his
book N.C. Wyeth. He had been collecting
N.C. Wyeth's work for 65 years. The
lecture started with an overview of Howard Pyle. There was a photograph of N.C. Wyeth dressed
as Robinhood in Howard Pyles studio which was striking.
N.C. Wyeth's main focus was on Western paintings. N.C. Wyeth spent four weeks living in the
west as a cowboy. He came from a farm
family background. I liked the photograph
of N.C. Wyeth in his woolly chaps and cowboy gear. He was an illustrator for Scribners
and other magazines. Doug Allen Jr. showed many of his western illustrations
including one of Wild Bill Hickock; his gun drawn playing cards.
N.C. Wyeth also illustrated over 150 books. I was not so much fascinated with the western
paintings and illustration, but with the pictures of pirates, knights, outlaws,
and other more fantastic art. Pictures
from such books as The Black Arrow
and Robinhood,
N.C. Wyeth illustrated Kidnapped and Treasure
Island. Howard Pyle, N.C. Wyeth’s
teacher was also known for his pirate pictures.
I especially liked the fantastic picture of the book cover for Captain
Blood by Rafael Sabatini. The pirate
pictures and the wstern pictures reminded me a bit of Kelly Freas’s art who won
the Hugo award ten times for his art.
One piece of fantasy art among the illustrations was a book
cover by N.C. Wyeth for The Return of
Tarzan. N.C. Wyeth illustrated a
number of Tarzan covers. They remind me
a bit of the artwork of Roy G. Krenkel.
I found the murals rather interesting. It surprised me that N.C. Wyeth was not
satisfied that he was not a fine artist, but a commercial artist. In my personal view, I have always enjoyed
illustration; especially people like Hokusai, Maxfield Parrish, and Mucha. I like Toulouse Lautrec’s illustration and
printmaking better than his paintings.
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